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Animal Dreams

Hallie's Bones

I am the sister who didn't go to war. I can only tell you my side of the story. Hallie is the one who went south, with her pickup truck and her crop-disease books and her heart dead set on a new world.

Who knows why people do what they do? I stood on a battleground once too, but it was forty years after the fighting was all over: northern France, in 1982, in a field where the farmers' plow blades kept turning up the skeletons of cows. They were the first casualties of the German occupation. In the sudden quiet after the evacuation the cows had died by the thousands in those pastures, slowly, lowing with pain from unmilked udders. But now the farmers who grew sugar beets in those fields were blessed, they said, by the bones. The soil was rich in calcium.

Three years later when my sister talked about leaving Tucson to work in the cotton fields around Chinandega, where farmers were getting ambushed while they walked home with their minds on dinner, all I could think of was France. Those long, flat fields of bone-fed green. Somehow we protect ourselves; it's the nearest I could come to imagining Nicaragua. Even though I know the bones in that ground aren't animal bones.

She left in August after the last rain of the season. Summer storms in the desert are violent things, and clean, they leave you feeling like you have cried. Hallie had never left me before. It was always the other way around, since I'm three years older and have had to do things first. She would just be catching up when I'd go again, swimming farther out into life because I still hadn't found a rock to stand on. Never because I wanted to leave. Hallie and I were so attached, like keenly mismatched Siamese twins conjoined at the back of the mind. We parted again and again and still each time it felt like a medical risk, as if we were being liberated at some terrible cost: the price of a shared organ. We never stopped feeling that knife.

But she went. And true to the laws of family physics, the equal and opposite reaction, I was soon packed up too and headed northeast on a Greyhound bus. In our divergent ways, I believe we were both headed home. I was bound for Grace, Arizona, where Hallie and I were born and raised, and where our father still lived and was said to be losing his mind. It was a Sunday. I had a window seat, and in a Greyhound you're up high. You pass through the land like some rajah on an elephant looking down on your kingdom, which in this case was a scorched bristling landscape and the tops of a lot of cars. It wasn't all that different from my usual view of life, because I'm tall, like my father and Hallie. I don't look like who I am. They do, but I don't.

It was midmorning when I stepped down off the bus in Grace, and I didn't recognize it. Even in fourteen years it couldn't have changed much, though, so I knew it was just me. Grace is made of things that erode too slowly to be noticed: red granite canyon walls, orchards of sturdy old fruit trees past their prime, a shamelessly unpolluted sky. The houses were built in no big hurry back when labor was taken for granted, and now were in no big hurry to decay. Arthritic mesquite trees grew out of impossible crevices in the cliffs, looking as if they could adapt to life on Mars if need be.

I was the only passenger getting off. The short, imperious bus driver opened the baggage door and made a show of dragging out luggage to get to mine, as if I were being difficult. A more accommodating woman, he implied, would be content with whatever bags happened to be right in front. Finally he slapped my two huge suitcases flat out in the dust. He slammed the doors and reclaimed his throne, causing the bus to bark like a dog, leaving a cloud of exhaust in the air, getting the last word, I suppose.

The view from here was orchards: pecan, plum, apple. The highway ran along the river, dividing the orchards like a long, crooked part in a leafy scalp. The trees filled the whole valley floor to the sides of the canyon. Confetti-colored houses perched on the slopes at its edges with their backs to the canyon wall. And up at the head of the canyon was the old Black Mountain copper mine. On the cliff overlooking the valley, the smelter's one brick smokestack pointed obscenely at heaven.

I dragged my bags to the edge of the street. Carlo, my lover of ten years, whom I seemed to have just left, would be sending a trunk from Tucson when he got around to it. I didn't own very much I cared about. I felt emptied-out and singing with echoes, unrecognizable to myself: that particular feeling like your own house on the day you move out. I missed Hallie. Carlo, too—for the lost possibilities. At the point I left, he and I were still sleeping together but that was all, just sleeping, with our backs touching. Sometimes Hallie would cough in the next room and I'd wake up to find my arm over his shoulder, my fingers touching his chest, but that's only because it takes your sleeping self years to catch up to where you really are. Pay attention to your dreams: when you go on a trip, in your dreams you will still be home. Then after you've come home you'll dream of where you were. It's a kind of jet lag of the consciousness.

Excerpted from Animal Dreams, copyright © 1991 by Barbara Kingsolver. All rights reserved. No part of this book may be used or reproduced without written permission from HarperCollins Publishers.